A capstone written by Daniel N. Collins
Arizona Master Naturalist – 2018 Cohort
I froze in my tracks. For any experienced naturalist hiking in the Sonoran Desert, the sound of a rattlesnake elicits that reaction. I carefully surveyed my surroundings…nothing…nothing… nothing…ah…there it was! But it was not the western diamondback I had expected to see on the trail in Arizona’s Tortolita Mountains; instead I was looking at a roadrunner. The loud clacking of its beak – reminiscent of the staccato clatter of castanets – was clearly a warning; perhaps I was was too near its nest. Members of the cuckoo family, both male and female roadrunners produce this clacking sound, as well as a “bark” sounding more like the cluck of a quail. The male roadrunner also makes a dovelike coo to mark its territory and call for a mate. When the roadrunner stopped clacking, I gave the agitated bird wide berth and continued hiking.
This trail northwest of Tucson is centrally located in the Greater Roadrunner’s range, spanning the American Southwest and northern Mexico. A smaller close cousin, the Lesser Roadrunner or Geococcyx velox, occupies a much smaller range in the southwest regions of Mexico and parts of Central America. It can be found at elevations from sea level to over 6,000 feet and in biomes from grasslands, to foothill woodlands, to chaparral; but it is most readily recognized as a desert dweller, and is undeniably the avian icon of the Mojave, Sonoran and Chihuahuan Deserts. The common element the roadrunner requires in any habitat is large or dense cacti, shrubs or trees. These plants provide shade and lower temperatures during the hotter months, insulation for warmth during the cooler months, protection from predators and nesting sites.
From the tip of its curved beak to the tip of its long tail, the adult roadrunner is nearly 2 feet in length and weighs about 12 ounces. Both sexes are similar in appearance – the male just slightly larger – with a heavily-streaked plumage of white, brown and black, a crest that can be raised or lowered at will, and a post-orbital bare streak behind its eye colored white, slate blue and orange. Its long legs with the cuckoo’s zygodactyl toes (two toes pointing forward and two toes backward) give this bird its distinctive X-shaped tracks, and enable it to reach speeds of over 15 MPH. True to its name, the roadrunner prefers to run, darting and dashing after prey, and flying only a few feet high to gain perch or a few yards to quickly outdistance a predator and seek cover.
The roadrunner is an omnivore, it’s diet consisting of 90% prey – mostly small lizards and snakes. It also consumes small rodents or birds, scorpions and insects. The other 10% of its diet is the fruit and seeds of cacti. This diurnal predator it is most legendary for being a rattlesnake killer. Able to digest rattlers up to 18” long, the roadrunner first approaches the snake cautiously, sizes it up, then attacks. It will use its beak or feet to poke the snake, actually provoking it to strike. If needed, the roadrunner evades the strike by deflecting it with its wings or quickly hopping out of range. But more often it uses its agility, speed and powerful beak to grab the snake’s head mid strike. Once caught, it uses a whiplike motion to beat the snake repeatedly on the ground, causing multiple spinal fractures and death, and making the meal more malleable for digestion.
This male roadrunner holds a lizard in his beak, which he will offer to her after mating.
Like many animals, this predator is also a prey for other carnivores. Although a fortunate coyote or bobcat may snag a roadrunner on occasion, roadrunners seldom fall prey to these mammals. The roadrunners’ main threat are raptors, particularly Cooper’s hawks and prairie falcons.
The raptor must catch the roadrunner off-guard however, as numerous anecdotes are told of wary and wily roadrunners taunting hawks, always evading capture, and finally tiring their foe to the point that they actually chase it away from their nests.
If roadrunners avoid predation, they may live to be six or seven years old, and produce several offspring during their life. The male roadrunner approaches a female in the spring of the year with a twig in his mouth, a not-so-subtle invitation to building a nest together. Before she approves of him as a lifelong mate, she will put him through many courtship rituals. All of these are to test his prowess as both a provider and protector. His final approach is with a vertebrate offering, such as a small lizard or snake. If she assents he will mount her – the tasty treat still hanging from his beak – which he will reward her with once copulation is complete.
A second breeding season may occur in fall, depending on abundant summer rains and resulting ample prey. In wet years two, three or even four clutches of eggs may be produced. In dry years, no breeding may take place. Each clutch produces three to six eggs which are laid in a nest typically located low in the thicket of a paloverde or mesquite trees or cholla cactus. Only half of the hatchlings will survive to maturity; the remainder fall victim to starvation or predation.
Both sexes take turns incubating the nest, though he is responsible for the night shift, as she must conserve her energy. Like all roadrunners not nesting, her body temperature drops dramatically at night, from 103℉ to 93℉. As she sleeps her metabolism will slow and her body cools, reducing her caloric need some 40% over her mate. In the morning she will reverse the process, turning her back to the sun, lowering her tail and spreading her wings. She erects the feathers on her back, exposing a patch of black skin that heats her body through solar radiation. Her high daytime body temperature is an adaptation to better cope with the ambient desert heat.
A female roadrunner exposes the black “solar panel” on her back used to warm her body.
With its amazing adaptations, amusing antics and abilities as a hunter, the roadrunner has earned the respect of all cultures, both ancient and modern. The Chemehuevi tribe of the Mojave Desert derive their name from this bird; the story is told when tribal leaders first saw the Chemehuevi Valley full of mesquite beans, they raced down to it with their “nose in the air like a roadrunner”. Cowboys told tales how the roadrunner would seek out sleeping rattlers, then build a corral of cholla cactus joints around them to entrap the hapless reptiles. Warner Brothers Studios Roadrunner cartoon has remained popular since its 1949 inception. Whether in fact, folklore or film, this icon of Northern American deserts has earned its legendary status.
RESOURCES
BOOKS:
Cornett, James W. The Roadrunner. Palm Springs, CA: Nature Trails Press, 2001
Kauffman, Kenn A Natural History of the Sonoran Desert, pp. 350-352. Tucson, AZ: Arizona Sonora Desert Museum Press, 2015
Taylor, Richard Cachor Birds of Southeastern Arizona, pp. 158-159. Olympia, WA: R.W. Morse Company, 2010
Tweet, Susan J. The Great Southwest Nature Factbook, pp. 72-73. Bothell, WA: Alaska Northwest Books, 1992
WEBSITE:
The Cornell Lab of Ornithology – All About Birds: Greater Roadrunner http://www.allaboutbirds.org
PHOTO CREDIT:
All photos © 2018 by Daniel N. Collins
Artists have always been inspired by nature. We love to capture or create images of our favorite landscapes, animals, moments, and scenes. But well-practiced artists will tell you that nature can be more than just a muse. I have learned about the benefits of using skills taught to me as a naturalist to enhance my artwork. Nature observation and study skills are incredibly useful to any painter, illustrator, sculptor, or photographer.

I was recently asked to create a set of designs for enamel pins for the Arizona Master Naturalist Association. I have a moderate amount of experience with digital art, but this would be my first time attempting pin design. Pins require a unique art style because they have to use limited colors and have thick lines to accommodate the pin printing process and they need to get their point across in a very small space. I was faced with the challenge of creating art of something as complex as a California condor or ponderosa pine on a “canvas” about the size of a quarter.

Like many artists I started by looking at reference pictures of my assigned flora and fauna. This is where I began to use my naturalist skill of observation. During one of my winter field labs with the Pima County chapter of the Arizona Master Naturalists, we learned about nature journaling. We learned to look at an object, say a small plant, and try to draw it. This exercise seems easy enough if you sketch some abstract leaves in a few seconds — but will one of your classmates be able to guess what plant you drew if they see your drawing? This is where it helps to look — to really look — at your subject. In class we learned to look at the margins of the leaves, texture of the bark or stems, colors, veins, spines, thorns, shape, texture, and so much more. I then used these newly-learned observation skills with the pin designs. I observed how condors actually hold their wings when flying and how pine tree’s branches actually hang. The more I practiced focusing on all the details of my subject the better I became at recreating them in a way that others can also observe and understand.
The next naturalist skill I learned to employ in my art is interpretation. As naturalists we learn how to take the knowledge that we have and interpret it for a variety of audiences. How we present information on pollination to a group of master gardeners should be different than how we present it to fourth graders. This idea holds true for art. How I might draw a pine tree for a large mural is different from what I needed to accomplish for a pin.

Using these skills I began to create sketches of my subjects. I asked myself questions about what angle, scale, and even phenophase I should use. Should I interpret a bushy plant by drawing one entire bush, a clump of its leaves, or just a single flower? Should I interpret a bird perched calmly or soaring high above?


These four images are examples of the final designs I created for this project. Each subject was carefully observed, interpreted, and designed to best identify the species to any viewer. I chose two plant designs and two bird designs to share with you to demonstrate how I tackled similar organisms so differently. The skills I have learned as a naturalist are what allowed me to create these designs in this style, and I hope that you can also find ways to incorporate your skills into any art you create!

November 9, 2020
WHY WE, AS MASTER NATURALISTS, SUPPORT CLIMATE CHANGE ACTION
“Now is the time for science, not silence” (Scientific American, 10/8/2020).
Daily Global headlines and increasingly frequent observations of extreme weather events demonstrate that the science of climate change is all around us. The recent excessive heat and drought of our own Sonoran Desert provide abundant local evidence, as Tucson recorded both its hottest month and hottest year on record in 2020. As far back as 2011, the City of Tucson’s Climate Mitigation Report identified climate change as a threat to Tucson’s public health and safety, naming such hazards as wildfires, drought, flooding and extreme heat. As in other beleaguered cities, marginalized populations are most affected by climate change, and are most at risk.
On September 9, 2020, the City of Tucson declared a Climate Emergency, stating, “…a climate and ecological emergency threatens our city, region, state, nation, civilization, humanity and the natural world, and [we] recognize the need for bold action to combat climate change, so that it meets or exceeds the current recommendations of the foremost climate scientists working around the world.”(Resolution No. 23222,2020).
We, as the Pima County Chapter of the Arizona Master Naturalists, acknowledge that climate change is real, and we align with the scientific consensus that human activities are the main cause. We support the City of Tucson’s Climate Emergency Declaration and vow to support climate change action in our communities. Master Naturalists are a corps of trained and skilled volunteers who provide leadership in education, citizen science, and stewardship to all natural and cultural history organizations in Arizona, for the public good. We actively engage with our community in helping to create a sustainable world.
We are not isolated in our work; we understand the inter-connectedness of all life on Earth. As such, we support efforts here and elsewhere to address the serious issue of climate change, and we call upon our community and national leaders to strengthen their efforts and commitments to this crucial endeavor. Tucson’s recent Climate Emergency declaration acknowledged it clearly, “the United States of America has disproportionately contributed to the climate and ecological emergencies and thus bears an extraordinary responsibility to rapidly resolve these crises”.(Resolution No. 23222, 2020). We pledge to use our skills to further educate our community, to engage in the direct observations necessary for collecting citizen science data, to continue our stewardship and protection of the natural world, and to ensure that local climate change action is just and equitable. We urge you to join us and learn how you, too, can actively participate in addressing climate change.
Franklin Lane
President
Pima County Chapter
Arizona Master Naturalists
On Saturday 11/14/2020 my trail partner, and fellow Master Naturalist, Deb Huie (C1) and I pulled our UofA/USGS trail cameras from the Huachuca Mountains. We’d been monitoring these sites for spotted cat activity (Jaguar and ocelot) since late 2016. Deb called it a “bittersweet day” because although it is a very tough 4 wheel drive approach and even harder hike we had grown to love this beautiful, remote area under all sorts of weather and conditions. But we also knew it was time for a new adventure. We’ll continue our Citizen Science work in the Whetstones.
While the Huachuca’s are excellent habitat for both cats we hadn’t had a detection on either of our sites since March 2017. The attached photos are of that individual male and, unfortunately, that of his eventual poaching when he returned to Northern Mexico. The rosettes on a jaguar’s coat are like fingerprints so individuals can even be recognized with a good photograph. This loss was heart breaking for us but also made us all the more determined to do everything we can to expand and protect their habitat in the U.S.


The Project (Directed by Dr. Melanie Culver) has cameras in all the major mountain ranges along La Frontera (The Borderlands) from the Baboquivaris to the Peloncillos. Many of the sites are remote but there are also some closer to Jeep roads and the Arizona Trail. We are always looking for dedicated volunteers. Film (SD cards) needs to be retrieved and batteries replaced (3-4) times a year.
Garden Canyon on Fort Huachuca is where we accessed our sites. One site was actually within Fort boundaries and the other was out a wilderness gate into the Coronado National Forest. The site on the Fort was complicated because…. well its the U.S. Army. Garden Canyon is a little known, but beautiful, recreation area that has tremendous hiking, birding and even pictographs. The area is open to the public on the weekends and during the week if there is no “live fire” on the Fort’s shooting ranges. Unless you have military privileges you’ll have to obtain a day pass at the Fort Huachuca Main Gate. But it’s easy to do! There are also some great museums on the Fort including one dedicated to the Buffalo Soldiers. Unfortunately no camping unless you hike past the Fort’s wilderness boundaries.

With one of our old sites above 8600 feet, we sometimes had to contend with some challenging conditions. Here’s Deb in February 2020 post-holing her way up above 8,000 ft.

This past Saturday was gorgeous although we probably missed ideal Fall foliage by about two weeks. Here are some of Deb’s pictures over the last couple of years.





Finally here are some examples of the abundance of wildlife on this incredible Sky Island.
“There are some who can live without wild things, and some who cannot” Aldo Leopold





If you are interested in participating in the project contact me personally or through the email of the President of the Pima County Chapter, Arizona Master Naturalists.
Franklin Lane
Capstone Project created by PCMN Jan Schwartz, 8/13/20
That would be the gray fox! Who knew? This fox has very strong hook-like claws and flexible wrists, which allow it to climb trees. It uses the tree as a place to sleep, to escape predators, and also to find food. They’ve also been known to take their prey up into the trees to eat in peace.
The gray fox dens in the ground (in a stolen den from another animal), in the hollow of a tree lower to the ground, and if they find the right tree with the right branches they will also den up high. The gray fox raises its young in the den until they are about 4 months old. Once the pup reaches that age, its teeth are mature and it can start to forage for itself.
A solitary hunter, the gray fox plays an important part in keeping small rodents in check. They eat rabbits, insects, and lots of fruit when it’s available. And also, of course, small rodents.
The fox protects itself by climbing trees and by clawing at predators with those strong, sharp claws; they communicate by barking, growling and sometimes squealing; they are primarily nocturnal; and they are relatively small animals weighing in between 8 and 15 pounds and standing 12 to 15 inches tall.
Now, I wonder when I’ve hiked in the evening if those eyes I saw in the trees belonged to an owl or a gray fox!
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